rousay’s practice on a little death highlights her sensitivity to nuance, as moments of chance are deftly interwoven into compositions with intent. The album playfully combines elements with varied recording fidelities, rousay adding new layers of textural complexity with the juxtaposition of found sounds, melody and harmony. “Blending fidelities comes from how I started making music on my own,” says rousay. “I started recording myself as a teenager, and I needed two microphones and I had one real one and then my laptop. I’d use them both and find a way to make them work together. These pieces share a lineage with that, using what’s available.”