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As before, traditional Medieval source material, this time interpreted via Vicente La Camero Marino’s sparse, sorrowful harp pieces, appears throughout Aria, providing a foundation upon which to build the longer, metal-based sagas forming the album’s core. Black metal, death metal, traditional heavy metal and Medieval music are all weaved seamlessly together in baroque yet abrasive reverence on Aria, resulting in a remarkably original long-player.
With a wet clarity to the incandescent production that cites underrated obscurities like Sacramentum’s Far Away from the Sun and Eucharist’s A Velvet Creation along with the early works of Varathron, Samael and Rotting Christ, the atmosphere on Aria of Vernal Tombs brings to 2015 what such bands strangely but sincerely captured years ago. Every sound and shimmering tone is intentional and essential to this rite of Spring.
