{"title":"SALE OK","description":"","products":[{"product_id":"palace-of-worms-the-forgotten-cd","title":"Palace of Worms \"The Forgotten\" CD","description":"\u003cp\u003eThe Flenser's first release!!!!\u003c\/p\u003e\n\u003cp\u003eThe Forgotten is a step into hateful black metal orthodoxy. 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Hornet’s nest guitars and thick rumbling war drums are coupled with mid-tempo, dissonant grooves that together evoke postapocalyptic madness rooted in traditional black metal ethos. The sweltering mass is coated by anguished howls still sizzling from radiation burn. Pale Chalice set themselves apart from the milieu of ever degenerating ‘black metal’ buffoons in generating forward thinking and unmistakably modern black metal that does not dishonor the roots of metal—groove and sheer power—aspects seemingly forgotten in the ongoing rape of the black metal tradition incited by the swinish multitude. To be sure, Pale Chalice do not reinvent the wheel with ‘Afflicting the Dichotomy of Tepid Creation,’ but they do display 28-minutes of expertly executed and well written black bile performed with more conviction than one-hundred ‘standard black metal bands’ of today. Ultimately, Pale Chalice finds themselves among Dispirit, Necrite and Palace of Worms—stranded on the fog-soaked shores of San Francisco making real black metal.” -D.L.\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Default Title","offer_id":40553758093,"sku":"AFFLICTING-DICHOTOMY-CD","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1719\/7393\/products\/pale-chalice-afflicting-the-dichotomy-of-trepid-creation-cd-25858078413.jpg?v=1756825927"},{"product_id":"bosse-de-nage-ii-cd","title":"Bosse-de-Nage \"II\" CD","description":"\u003cp\u003eThis is the follow up to minimalist black metal weirdos Bosse-de-Nage’s self titled debut. This album was recorded in 2010 by Justin Weis and features a HUGE sound along with the Louisville-styled post rock (think Slint not Godspeed) and black metal weirdness that made Bosse-de-Nage’s debut a divisive genre defying classic. 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It is the sound of Xiu Xiu's death.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is a bold proposition, even for a band that has never so much pushed the envelope as pulled it (forcefully) away from the line other musicians are willing to toe. And now, in what is unquestionably their darkest hour, Xiu Xiu have lit the envelope on fire and are using it as a torch to light the path ahead.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving spent the previous four years living in North Carolina, primary songwriter Jamie Stewart relocated to Los Angeles, moving blindly into a neighborhood whose notoriously dangerous reputation was unknown to them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA park divided among four gangs, a lake routinely dragged for bodies, a building wherein two infant skeletons were recently uncovered -- the aura of their new home bleeds into every pore of the album, each lyric and note bearing traces of its essence: the terrible beauty, the despair, the violence, the ultra humanity, the uncertainty.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"I know to a degree I must have romanticized it,\" Stewart admits, \"But when it's not safe to go out at night, what else can one?\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRomanticized is hardly the word anyone other than Stewart would use. 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With aural explorations beginning at the intersection of punk and electronics-based noise White Suns oscillates between crushingly dense assaults and articulate hushed passages.\u003c\/p\u003e\n\u003cp\u003eBrooklyn's White Suns has existed since 2006 and is comprised of members Kevin Barry, Dana Matthiessen and Rick Visser. White Suns have released two full-length albums - Waking In The Reservoir (UgExplode, 2011) and Sinews (Load, 2012) - along with a handful of small-run releases. Their material has received accolades from the New Yorker, SPIN, Pitchfork, and Tiny Mix Tapes among others. White Suns has extensively toured the U.S. and garnered a reputation as a threatening and intense live act.\u003c\/p\u003e\n\u003cp\u003eWhite Suns third album, Totems, is being released by SF-based dark music label The Flenser. Totems features, their signature onslaught but is tempered by deadened stares and slow-burn instrumentals. Renowned recording engineer Martin Bisi (Sonic Youth, Swans, Foetus) provided documentation of the performance in is labyrinthine BC Studio compound.\u003c\/p\u003e\n\u003cp\u003eThere is a CD\/vinyl package deal on the vinyl section item.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c!-- mceItemMediaService_youtube:{\"id\":\"v5sMpu6DX0Y\",\"width\":440,\"height\":330} --\u003e\u003c!-- do not directly edit this HTML, it will be overwritten by the mediaservice plugin --\u003e\u003cobject width=\"440\" height=\"330\"\u003e\u003cparam name=\"movie\" value=\"\/\/www.youtube.com\/v\/v5sMpu6DX0Y?fs=1\"\u003e\n\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cembed src=\"\/\/www.youtube.com\/v\/v5sMpu6DX0Y?fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" wmode=\"transparent\" allowfullscreen=\"true\" width=\"440\" height=\"330\"\u003e\u003c\/object\u003e\u003c!-- \/mceItemMediaService --\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Default Title","offer_id":40553912973,"sku":"TOTEM-CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1719\/7393\/products\/white-suns-totem-cd-25858169293.jpg?v=1756825898"},{"product_id":"wolves-in-the-throne-room-celestite-cd","title":"Wolves in the Throne Room \"Celestite\" CD","description":"\u003cp\u003eSince 2002, over the course of four studio albums and hundreds of live performances, Wolves in the Throne Room have refracted the transcendent and mythic aspects of black metal through their own idiosyncratic Cascadian prism, creating music intimately linked to the wild lands of the Pacific Northwest.\u003c\/p\u003e\n\u003cp\u003eCelestite embarks on a deeper excursion into the crystalline, synthesizer-driven domains that have long intrigued the band. With the aid of producer Randall Dunn (Earth, SUNNO))), Master Musicians of Bukkake), the band unearths a hidden soundscape only loosely tethered to their familiar sound, yet still unmistakably the work of Wolves in the Throne Room. As the album unfolds, an ocean-deep psychedelic soundscape coalesces, and a portal opens to the hidden world of magic only accessble through dreams, visions and music.\u003cbr\u003eCelestite came to fruition at Avast Studios in Seattle and the group’s own Olympia-based Owl Lodge, where they employed a mammoth arsenal of crumbling vintage synths and effects, a wind ensemble and the classic API and Neve mixing consoles. From the band themselves: “To make Celestite we delved into the subterranean sonics that are buried in the mix of Celestial Lineage. We isolated them, processed them and took this unearthed soundscape as our starting point. Upon this base we recorded an entirely new album. Some melodies from Celestial Lineage are recognizable, but these familiar sounds appear as ghosts, barely tethered to the original compositions. This new album is an unorthodox foray; a fully instrumental, experimental companion record to Celestial Lineage. We left some work undone with Celestial Lineage. The recording of that album in the Winter of 2011 was a monumental project for us personally, and the creative fire from those recording sessions was still burning. 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Titled Desideratum, this album is the band’s first full-length since 2010′s cult hit Leaving (Enemies List).\u003c\/p\u003e\n\u003cp\u003eSimultaneously straddling the line between being completely nostalgic and futurist sounding, Planning For Burial is the product of a single wunderkind taking healthy obsessions with certain influences and filtering them through a droning, gloomy spyglass that evokes only the most concrete blues (the emotion not the music) this side of the gray waters of the Atlantic. While Planning For Burial gets lumped in with the whole wave of “bedroom recording artists” (which is where the project toiled for years until Leaving finally was released), the mastermind behind the project sets himself apart from his peers due in no small part to his background in sound. Planning For Burial’s brand of dark shoegaze\/gloomgaze is hard to categorize, but it’s sound contains elements of slowcore, shoegaze, doom, drone, 90′s alt rock, 80′s goth, and black metal, while never being defined by any one of those genres.\u003c\/p\u003e\n\u003cp\u003eOver the course of the last four years, Planning for Burial has been sporadically popping up in live venues (sharing the stage with a wide breadth of musical compatriots from Chelsea Wolfe to Deafheaven while seeming out of place at none) along the east and west coasts and releasing a slew of EPs and splits on various labels. Now, as Planning for Burial gears up to release Desideratum, the band will also perform a series of live shows – tour dates can be found below. PFB commented, “These new songs were designed to be played live, unlike my first album.” He continued, “I was making changes to sequencing\/lyrics\/arrangement in a live setting over the last three years rather than tinkering with it at home. 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Want sees the band taking a more refined and melodic sonic direction, yet the band keeps a foot in the experimental, electronic, and post-metal genre. Mixed and mastered by Jack Shirly (Deafheaven, Whirr, Loma Prieta), Want is Wreck and Reference fully realized: undeniably nihilistic, and devastatingly addictive.\u003c\/p\u003e\n\u003cp\u003eSince their inception in 2011, the band has (de)constructed a manifesto of post-genre misanthrope. Wreck and Reference have become known as being a trainwreck of contradictions. Live, the band has gained a reputation of being devastating while the band’s recorded output has exalted a post-genre misanthropy vision of solipsism, self-doubt and post-modernism. Formed in 2011 by drummer Ignat Frege and instrumentalist Felix Skinner, Wreck and Reference plays by their own rules and creates a sound that is unorthodox and captivating using drums, vocals, and computers. The band released their demo Black Cassette that same year, which immediately turned heads from critics and fans alike. The following year, Wreck and Reference released their debut full-length, Y̶o̶u̶t̶h̶, to more critical praise. Even more dark and mysterious than its predecessor, Y̶o̶u̶t̶h̶ catapulted Wreck and Reference to the forefront of unconventional and mysterious heavy music. 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Titled VI: Flora, this eleven-song album was recorded by Otrebor in The Verdant Realm and mastered by Jack Shirley at Atomic Garden.\u003cbr\u003e \u003cbr\u003eVI: Flora continues the story of The Botanist, a crazed man of science who lives in self-imposed exile, as far away from Humanity and its crimes against Nature as possible. Seated upon his throne of Veltheimia in the Verdant Realm, his sanctuary of fantasy and wonder, he surrounds himself with plants and flowers, finding solace in the company of the Natural world. While recent albums detailed a misanthropic master plan for the destruction of mankind at the hands of plants, VI: Flora focuses rather on the wondrous beauty of the plants themselves through a gauzy haze of dreamlike sound. The voice of The Botanist acts as spectral underpinning to the reverie.\u003cbr\u003e \u003cbr\u003eBotanist’s previous releases—I: The Suicide Tree \/ II: A Rose from the Dead (tUMULt, 2011), III: Doom in Bloom (TotalRust, 2012) and most recently, 2013’s IV: Mandragora (The Flenser, 2013)—have seen much critical acclaim, landing on NPR’s 25 Best Metal Albums, Metal Sucks’ Top 15 Metal Albums, Metal Injection’s Top 10 Releases, and an honorable mention on Pitchfork’s Top 40 Albums of 2011.\u003cbr\u003e\u003cbr\u003e“… music that disobeys every rule about black metal, sounds nothing like black metal, and yet can’t really be called anything but black metal. In that way, Botanist could be the fullest realization of the post-black metal concept yet, and that makes the future awfully exciting.” —The Quietus\u003cbr\u003e \u003cbr\u003e“Botanist lives up to its environmentally minded, hammered-dulcimer’d nerdery. 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Despite the accessible songwriting of Coffins on Io and the emphasis on vocal melody and electronic percussion, Kayo Dot fans will find the record’s darkness and intensity familiar and relatable. For example: the dark wave of Coffins on Io album-track “Off-ramp Cycle” might be unrecognizable to Kayo Dot’s metal fans. “The sound is kind of like a sexy combination of Type O Negative, Peter Gabriel, Sisters of Mercy,” Driver says. But the track also encompasses the brooding menace of classic Bauhaus as well as current dark wavers Cold Cave and Crystal Stilts: artists young and old who live and die in those unknowable corners where heaviness meets delicacy and sincerity meets theatricality.\u003c\/p\u003e\n\u003cp\u003eElsewhere, Driver’s penchant for prog rock surfaces in the ethereal “Spirit Photography,” complete with a saxophone melody line—strikingly gentle when compared to Kayo Dot’s brutal back catalog. “Long Time Disturbance on the Miracle Mile” could be a Bryan Ferry-era Roxy Music cut, and “The Mortality of Doves” could be Eno-produced David Bowie.\u003c\/p\u003e\n\u003cp\u003eDriver says there’s also an element of sexuality in Coffins on Io.“Basically the vibe that we’re going for here is inspired by 80s retro-future noir— Blade Runner,” Driver explains. “I wanted to make a good record to put on while you drive across the desert at night under a toxic, post-apocalyptic atmosphere,” he says, adding, “There’s a weird underlying theme of murder, shame and death.”\u003c\/p\u003e\n\u003cp\u003eComes in a digipak.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c!-- mceItemMediaService_youtube:{\"id\":\"s3FaV9PnTU4\",\"width\":440,\"height\":330} --\u003e\u003c!-- do not directly edit this HTML, it will be overwritten by the mediaservice plugin --\u003e\u003cobject width=\"440\" height=\"330\"\u003e\u003cparam name=\"movie\" value=\"\/\/www.youtube.com\/v\/s3FaV9PnTU4?fs=1\"\u003e\n\u003cparam name=\"allowFullScreen\" value=\"true\"\u003e\n\u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e\n\u003cembed src=\"\/\/www.youtube.com\/v\/s3FaV9PnTU4?fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" wmode=\"transparent\" allowfullscreen=\"true\" width=\"440\" height=\"330\"\u003e\u003c\/object\u003e\u003c!-- \/mceItemMediaService --\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Default Title","offer_id":40554113229,"sku":"COFFINS-ON-IO-CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1719\/7393\/products\/kayo-dot-coffins-on-io-cd-25858282445.jpg?v=1756825880"},{"product_id":"obsequiae-suspended-in-the-brume-of-eos-cd","title":"Obsequiae \"Suspended in the Brume of Eos\" CD","description":"\u003cp\u003eDigipak CD from Bindrune Recordings.\u003c\/p\u003e","brand":"Bindrune Recordings","offers":[{"title":"Default Title","offer_id":40554114893,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1719\/7393\/files\/obsequiae-suspended-in-the-brume-of-eos-cd-1240162901.jpg?v=1779466870"},{"product_id":"boduf-songs-stench-of-exist-cd","title":"Boduf Songs \"Stench of Exist\" CD","description":"\u003cp\u003eEngland \/ Ohio’s Mat Sweet presents his latest album under the Boduf Songs moniker via The Flenser! Stench of Exist is at once his most accessible and most esoteric work to date; from the opium flow of the tracks, running headily into one another like tributaries to river, to the muted-industrial-electronic-effected drums underscoring the spiraling melodies and fluttering drones, to the clean and rich guitar, abstracted cycles and feedback walls, its whispered doom metal masquerades as a lullaby. Stench of Exist unfolds languorously, laced with mysterious electronic filigree. Gorgeously intimate, it transforms the minimal into maximal with layers of electro-detritus wreathed in lush guitar strums, street-side field recordings, reverberating pianos and softly crooned vocals. It is a record of rain and cities and nighttime. The collision of arabesque tonalities with electronic sound and ambience brings to mind the promise of Blade Runner—half-asleep at 4:00 A.M. and slightly medicated, with pyramids and flame-spewing cityscapes in downpour glowing against the fluttering eyelids in the almost-dreaming consciousness. A record for saturnine commuters, on headphones, after sunset.\u003c\/p\u003e\n\u003cp\u003e“Unsettling and gorgeous...” —All Music Guide\u003c\/p\u003e\n\u003cp\u003e“In Boduf Songs’ brutal theology, darkness devours light, death defeats the living, and nature and culture are at perpetual fisticuffs.” —Pitchfork\u003c\/p\u003e\n\u003cp\u003e“Boduf Songs makes some of the duskiest, autumnal and beautiful loner psychedelia.” —Stereogum\u003c\/p\u003e\n\u003cp\u003e“The spare use of his blurry instrumentation is the secret ingredient to the horror in these songs. 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The band was founded in late 2010 and released their debut LP Known Flood via Sacrament Records (St. Vitus Bar’s label) in February of 2013 to great critical acclaim. Pitchfork said the record “…welds the power of black metal, sludge metal, and grindcore to the structures and orders of post-rock and post-punk” and SteelForBrains called it ”…an aural trek into the consciousness of all that is sacred to metal. Percussion driven but never overwhelming – the album steers around audio samples, ominous sounds, and the undercurrent of a kind of seething introspection.”\u003c\/p\u003e\n\u003cp\u003eSannhet’s second full-length, Revisionist, is set for release on March 3rd via San Francisco’s Flenser Records. 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This dark psychedelic \/ industrial cabaret is a religion-themed concept album titled Croce (“Cross” in Italian), one side representing suffering and sacrifice and the flip reflecting what comes after—the end of suffering, resurrection, or perhaps oblivion. The work was recorded by John Dieterich in Albuquerque, NM, and mixed by Greg Saunier. From the shadowy atmospheres of Croce spring forth unexpected blurts of impossibly catchy noise pop, at times operatic like some twisted musical detailing the trials and tribulation of the crucifixion. Male and female vocals by Freddie Murphy and Chiara Lee intertwine over distorted blasts of guitar crunch, anchored by stuttering, homebuilt percussion. This sound is textural and nuanced yet noisy and chaotic, carefully sculpted into jagged shards of fragmented pop. A-side closer “In Solitude” is an appropriately dour slab of murky miserablism that sounds like a slow sonic death, a haunting dirge that dissolves into that ineffable space between the record’s two sides; the netherworld, the afterlife, Purgatory. But Father Murphy erupts from this stygian blackness with the second half of Croce—the light to the A-side’s dark. “Long May We Continue” retains a doom-like approach at first, stringing a field of metallic shimmer and junkyard percussion together into a spare framework over which dramatic male vocals soar. The female counterpart responds like some demonic Greek chorus, delivering a sense of warmth. Finale “They Won’t Hurt You” is all majestic pipe organ, a stirring and stately court music, lush and lovely and epic, the sound of rebirth: redemptive and restorative, a return from the beyond, arisen from the grave, ascended into the heavens, the sounds drifting upwards, beyond the galaxy, the universe, into the unknowable infinity.\u003c\/p\u003e\n\u003cp\u003e“… a fascinating listen… an unapologetic venture into head music and contains some powerful compositions. It’s steeped in a sense of reverence, but one that looks below, rather than expecting anything from above.” —Drowned In Sound\u003c\/p\u003e\n\u003cp\u003e“The oddball psychedelic chamber pop the Italian duo exhales will creep you out with drones, lullabies, and anguished vocals all competing for front-runner spot in your next nightmare. 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Six months before that, I used a Voor’s Head Device for the first time.\" This line opens the 150-page book that accompanies Giles Corey, an intensely personal, intimate portrait of depression that took me almost four years to make. —Dan Barrett\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGiles Corey's haunting self-titled debut is back in print! The Flenser is pleased to offer a new version of this cult favorite as a double LP housed in a gatefold jacket, with the same 150-page book that accompanied the previous versions.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eGiles Corey is the gloomy folk-driven solo project from Have A Nice Life mastermind Dan Barrett. Here, Barrett forgoes the post-industrial trappings of Have A Nice Life in favor of an intimate singer-songwriter approach. While thematically related to his other work--dealing with subjects like suicide, death and the paranormal--Giles Corey feels more personal, with impressive shifts from quiet desperation to cathartic outburst. Over the years the album has gained a fervent following, and has sometimes been compared to a religious experience. It is a dark yet purgative enterprise not for the frail of heart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe accompanying book is an integral part of Giles Corey. Its examination of the life and times of cult leader Robert Voor runs parallel to the lyrics, and offers further immersion for the reflective listener. In Barrett’s own words: “The album follows a story arc of emotions that are detailed in the accompanying book, as much a part of this record as the music. The text switches between personal tales of struggles with depression, suicide, and a feeling of being lost, and the story of cult-leader and afterlife theorist Robert Voor. Voor’s writings on death and the afterlife feature prominently across Have A Nice Life’s Deathconsciousness, Nahvalr’s self-titled debut, and Giles Corey, making him the unifying factor behind most of the music I’ve written in the last ten years. This record is as personal and raw as anything I’ve ever done.”\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Haunting Presence \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Blackest Bile \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Grave Filled With Books \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Empty Churches \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e I’m Going To Do It \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Spectral Bride \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e No One Is Ever Going To Want Me \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Sleeping Heart \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-weight: 400;\"\u003e Buried Above Ground\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eAll images are digital mock-ups \u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003e—\u003c\/span\u003e the final product may appear differently.\u003cbr\u003e\u003cbr\u003eInternational customers please note that shipping will be very expensive because of the weight of the book. There is nothing we can do about this. Copies can be obtained from our European distro, Deathwish EU at a more reasonable rate.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is one of the greatest albums ever!!!!!!!!!!!!\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003c!-- mceItemMediaService_youtube:{\"id\":\"eO-eAldJmA8\",\"width\":440,\"height\":330} --\u003e\u003c!-- do not directly edit this HTML, it will be overwritten by the mediaservice plugin --\u003e\u003ciframe width=\"440\" height=\"330\" src=\"https:\/\/www.youtube.com\/embed\/eO-eAldJmA8?fs=1\" class=\"ui-droppable\"\u003e\u003c\/iframe\u003e\u003c!-- \/mceItemMediaService --\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Bone and Oxblood Merge with Splatter Vinyl + Silk-Screened Cover","offer_id":47353448268071,"sku":"GILES-COREY-5-MERGE-SILK","price":47.0,"currency_code":"USD","in_stock":false},{"title":"Bone and Oxblood Merge with Gold and Black Splatter Vinyl","offer_id":47352992039207,"sku":"GILES-COREY-5-MERGE","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Black Vinyl","offer_id":40554409293,"sku":"GILES-COREY-5-BLACK","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1719\/7393\/products\/giles-corey-giles-corey-dlp-book-28441161662542.jpg?v=1756825830"},{"product_id":"fugazi-end-hits-lp","title":"Fugazi \"End Hits\" LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eREISSUED WITH A DOWNLOAD!!! 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Six years after its release the band followed up with 2014′s stunner The Unnatural World, and by then Deathconsciousness had become a force of influence and fanatic obsession. Seamlessly blending shoegaze, post punk, new wave, industrial and noise with unparalleled depth and weight, the album was originally released by Enemies List Home Recordings founded by HANL members Dan and Tim. Now, longtime HANL collaborator The Flenser will re-issue Deathconsciousness with deluxe packaging, including the lengthy accompanying zine and colored vinyl. Have A Nice Life commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially-inflated collector’s market, as happened with some of our past releases.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Flenser’s reissue of Deathconsciousness will be accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult. 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Now The Flenser is honored to rerelease Deathconsciousness a gorgeous and disarming contribution to the modern lexicon for a larger audience.\u003c\/p\u003e\n\u003cp\u003ePlease note that black vinyl always sounds best. Special effect vinyl looks cool, but can have sound issues. \u003cstrong\u003eAll images are digital mockups \u003cspan style=\"font-weight: 400;\"\u003e— \u003c\/span\u003ethe final product may appear differently.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll variations of the album come with the 70+ page zine made from the same files as earlier editions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIf this record is sold out, more will be pressed soon.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4m-UoIEz7B4?si=m9qaWIRmiUvgtrhd\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Tide Pod Vinyl","offer_id":51358334746919,"sku":"DEATHCON-16-TIDE","price":38.0,"currency_code":"USD","in_stock":true},{"title":"Koi Pond Vinyl","offer_id":49510850625831,"sku":"DEATHCON-16-KOI","price":38.0,"currency_code":"USD","in_stock":true},{"title":"Doublemint Vinyl","offer_id":46851056271655,"sku":"DEATHCON-16-DOUBLEMINT","price":38.0,"currency_code":"USD","in_stock":false},{"title":"Black Vinyl","offer_id":40554753549,"sku":"DEATHCON-16-BLACK","price":36.0,"currency_code":"USD","in_stock":false},{"title":"Doublemint with Black and White Splatter Vinyl","offer_id":48868818059559,"sku":"DEATHCON-13-SPLATTER","price":38.0,"currency_code":"USD","in_stock":false},{"title":"Neon Merge Vinyl","offer_id":47465306259751,"sku":"DEATHCON-12-NEON","price":38.0,"currency_code":"USD","in_stock":false},{"title":"Tri-Color Splatter Vinyl","offer_id":47137658962215,"sku":"DEATHCON-11-TRI-SPLATTER","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Grimace Purple Vinyl","offer_id":44452189208871,"sku":"DEATHCON-10-GRIMACE","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1719\/7393\/products\/have-a-nice-life-deathconsciousness-dlp-zine-pre-order-28441222545486.jpg?v=1756825798"},{"product_id":"kayo-dot-plastic-house-on-base-of-sky-cd","title":"Kayo Dot \"Plastic House On Base Of Sky\" CD","description":"\u003cdiv class=\"col-full\" id=\"content\"\u003e\n\u003cdiv id=\"main-sidebar-container\"\u003e\n\u003cdiv class=\"col-left\" id=\"main\"\u003e\n\u003cdiv class=\"post-2418 post type-post status-publish format-standard hentry category-uncategorized\"\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cp\u003eKayo Dot has never made the same record twice. From chamber music to progressive black metal, from goth to jazz and avant-garde classical, Kayo Dot is undeniably experimental and utterly unclassifiable. Since its inception in 2003, the band has released seven full-length albums, including their debut Choirs of the Eye (2003), the conceptual double-album Hubardo (2013) and most recently Coffins on Io (2014, The Flenser). Kayo Dot have toured the globe numerous times over and have played the stages of Roadburn, SXSW, and many other international music festivals. In 2015, frontman Toby Driver organized and played a 12-concert retrospective at The Stone in NYC. 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For as much ground as they cover, it’s always in the service of a carefully curated mood and this is apparent on Plastic House on Base of Sky’s exploration of our mechanical post-human future-present.\u003c\/p\u003e\n\u003cp\u003eThe core of Kayo Dot might be that mood– one that lies at the crossroads of darkness and mystery. In film, music that accompanies mystery is often nocturnal, playing on a primal relation in our brains between the unknown and the night. It’s this intersection that is the essence of Kayo Dot. Driver, who recorded Plastic House on Base of Sky in various locations from August 2014 to December 2015, again collaborates with lyricist Jason Byron. Byron, a lifelong student of the occult, gives the listener a feast of words to unpack that are as elusively satisfying as the labyrinths of sound they travel through. 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